{"id":92022,"date":"2025-09-14T15:26:50","date_gmt":"2025-09-14T15:26:50","guid":{"rendered":"https:\/\/ccmagazine.es\/?p=92022"},"modified":"2025-09-21T07:19:01","modified_gmt":"2025-09-21T07:19:01","slug":"lee-broom-trio-of-design-london-design-festival-2025","status":"publish","type":"post","link":"https:\/\/ccmagazine.es\/en\/lee-broom-trio-of-design-london-design-festival-2025\/","title":{"rendered":"Lee Broom and his Trio of Design at the London Design Festival"},"content":{"rendered":"<p data-start=\"931\" data-end=\"1350\">Spread across the three storefronts that make up his flagship showroom on Rivington Street, this triptych installation not only celebrates formal and technical innovation, but also the power of storytelling. Each piece is a chapter in its own right, yet together they form a coherent conversation about transformation, materiality, and the capacity of design to transcend function and become a sensory experience.<\/p>\n<h6 data-start=\"1357\" data-end=\"1397\">The spirit of the &#8220;Trio of Design&#8221;<\/h6>\n<p data-start=\"1399\" data-end=\"1645\"><em>Lee Broom<\/em>\u2019s proposal for this festival is much more than a product showcase: it is an immersive installation that sets up a dialogue between three distinct disciplines \u2014 porcelain, wallpaper and handblown glass \u2014 under a unifying narrative.<\/p>\n<p data-start=\"1399\" data-end=\"1645\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-92002 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Calico-Lee-Broom74113-William-Jess-Laird.jpg\" alt=\"\" width=\"1200\" height=\"1500\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Calico-Lee-Broom74113-William-Jess-Laird.jpg 1200w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Calico-Lee-Broom74113-William-Jess-Laird-240x300.jpg 240w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Calico-Lee-Broom74113-William-Jess-Laird-340x425.jpg 340w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Calico-Lee-Broom74113-William-Jess-Laird-768x960.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/p>\n<p data-start=\"1647\" data-end=\"1717\">As the designer himself explained during our exclusive conversation: <em>&#8220;Although each project explores a different medium \u2014 porcelain, glass and wallpaper \u2014 they are all rooted in illusion and transformation. Overture looks at drapery as performance, Cascade turns porcelain into glowing lanterns, and Chant translates a chandelier into a portable object. Together they create a conversation on materiality, craft, and how design can move beyond function&#8221;<\/em>.<\/p>\n<p data-start=\"2112\" data-end=\"2300\">This vision is essential to understanding<em> Broom<\/em>: his collections are not only about solving practical needs, but about provoking emotions, generating atmospheres and telling stories.<\/p>\n<h2 data-start=\"2302\" data-end=\"2386\">\u201cHis collections seek to provoke emotions, create atmospheres and tell stories.\u201d<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-92004 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Cascade-lifestyle-@lladro.jpeg\" alt=\"\" width=\"1061\" height=\"1500\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Cascade-lifestyle-@lladro.jpeg 1061w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Cascade-lifestyle-@lladro-212x300.jpeg 212w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Cascade-lifestyle-@lladro-301x425.jpeg 301w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Cascade-lifestyle-@lladro-768x1086.jpeg 768w\" sizes=\"auto, (max-width: 1061px) 100vw, 1061px\" \/><\/p>\n<h6 data-start=\"2393\" data-end=\"2440\">Cascade: porcelain transformed into light<\/h6>\n<p data-start=\"2442\" data-end=\"2724\">One of the major milestones of the year for <em>Broom<\/em> is his collaboration with <em>Lladr\u00f3<\/em>, the iconic Spanish house of porcelain craftsmanship. The result is <em>Cascade<\/em>, a lighting collection that debuted at <em>Euroluce<\/em> during Milan\u2019s <em>Salone del Mobile<\/em>, now unveiled in London.<\/p>\n<p data-start=\"2726\" data-end=\"3000\">Inspired by traditional paper lanterns, these pieces transform the delicacy of porcelain into a translucent material that emits a warm, ethereal glow. Thanks to a modular system, the lamps can be arranged in vertical compositions reminiscent of cascading streams of light.<\/p>\n<p data-start=\"3002\" data-end=\"3089\"><em>Broom<\/em> shared with us his experience of working alongside <em>Lladr\u00f3<\/em>\u2019s Valencian artisans: <em>&#8220;Visiting the Lladr\u00f3 factory was a key part of the process. Seeing the artisans\u2019 meticulous handcrafting techniques and the level of detail required to shape porcelain helped me understand the material. Combining their mastery with my modernist design approach enabled us to create a collection that merges tradition with contemporary aesthetics&#8221;<\/em>.<\/p>\n<p data-start=\"3446\" data-end=\"3606\">With <em>Cascade<\/em>, porcelain \u2014 so often associated with ornamentation \u2014 gains a new role: it becomes a language of purity, modernity and poetic luminosity.<\/p>\n<p data-start=\"3446\" data-end=\"3606\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-92006 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lladro-x-Lee-Broom-Cascade-Installation-1-Euroluce.jpeg\" alt=\"\" width=\"1194\" height=\"1500\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lladro-x-Lee-Broom-Cascade-Installation-1-Euroluce.jpeg 1194w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lladro-x-Lee-Broom-Cascade-Installation-1-Euroluce-239x300.jpeg 239w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lladro-x-Lee-Broom-Cascade-Installation-1-Euroluce-338x425.jpeg 338w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lladro-x-Lee-Broom-Cascade-Installation-1-Euroluce-768x965.jpeg 768w\" sizes=\"auto, (max-width: 1194px) 100vw, 1194px\" \/><\/p>\n<h6 data-start=\"3613\" data-end=\"3655\">Overture: turning walls into a stage<\/h6>\n<p data-start=\"3657\" data-end=\"3849\">If Cascade celebrates Spanish artisanal tradition, <em>Overture<\/em> marks a personal milestone for <em>Broom<\/em>: his first foray into the world of wallpaper, in collaboration with <em>Calico Wallpaper<\/em>.<\/p>\n<p data-start=\"3851\" data-end=\"4105\">Initially presented during <em>New York Design Week<\/em>, the collection now arrives in the UK for the first time, reimagined for a London audience. Drawing on the designer\u2019s childhood in the theatre, <em>Overture<\/em> explores drapery as a performative gesture.<\/p>\n<h2 data-start=\"4107\" data-end=\"4160\">\u201cWith Overture, walls become a theatrical space.\u201d<\/h2>\n<p data-start=\"4162\" data-end=\"4204\">As <em>Broom<\/em> explained during our interview: <em>&#8220;My childhood in theatre had a huge influence. I was fascinated by how set designers used fabric and light to create illusions and entire worlds. With Overture, I wanted wallpaper to have that same performative quality: to transform flat walls into something alive, dimensional and full of movement&#8221;<\/em>.<\/p>\n<p data-start=\"4514\" data-end=\"4771\">The result is a series of wall coverings that evoke monumental curtains, folds that appear to breathe, and surfaces that suggest constant movement. With <em>Overture<\/em>, walls cease to be architectural limits and instead become a stage where design performs.<\/p>\n<p data-start=\"4514\" data-end=\"4771\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-92008 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Calico-Lee-Broom73530-William-Jess-Laird.jpg\" alt=\"\" width=\"1200\" height=\"1500\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Calico-Lee-Broom73530-William-Jess-Laird.jpg 1200w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Calico-Lee-Broom73530-William-Jess-Laird-240x300.jpg 240w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Calico-Lee-Broom73530-William-Jess-Laird-340x425.jpg 340w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Calico-Lee-Broom73530-William-Jess-Laird-768x960.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/p>\n<h6 data-start=\"4778\" data-end=\"4830\">Chant: portable light with a sculptural spirit<\/h6>\n<p data-start=\"4832\" data-end=\"5038\">The third chapter of this triptych is the <em>Chant Portable Table Lamp<\/em>, a piece that extends the aesthetic language of the<em> Chant<\/em> chandelier while reinterpreting it as an autonomous and accessible object.<\/p>\n<p data-start=\"5040\" data-end=\"5302\">Crafted from handblown glass \u2014 available in clear or frosted versions \u2014 <em>Chant<\/em> takes its cue from 1970s architectural glass blocks. Its robust yet refined design makes it equally suitable for indoor and outdoor use, thanks to its weather-resistant construction.<\/p>\n<p data-start=\"5040\" data-end=\"5302\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-92010 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lee-Broom-Chant-Table-Lamp-1.jpg\" alt=\"\" width=\"1143\" height=\"1450\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lee-Broom-Chant-Table-Lamp-1.jpg 1143w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lee-Broom-Chant-Table-Lamp-1-236x300.jpg 236w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lee-Broom-Chant-Table-Lamp-1-335x425.jpg 335w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lee-Broom-Chant-Table-Lamp-1-768x974.jpg 768w\" sizes=\"auto, (max-width: 1143px) 100vw, 1143px\" \/><\/p>\n<p data-start=\"5040\" data-end=\"5302\"><em>&#8220;Portable lighting gives people the freedom to shape their spaces. With Chant I wanted to offer that flexibility without sacrificing craft or beauty. It\u2019s practical, but also atmospheric \u2014 a light you can live with anywhere&#8221;<\/em>.<\/p>\n<p data-start=\"5537\" data-end=\"5727\">With up to 40 hours of battery life, dimmable settings and artisanal finishes, <em>Chant<\/em> redefines what a portable object can be: not only functionality, but also atmosphere and style.<\/p>\n<p data-start=\"5537\" data-end=\"5727\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-92012 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lee-Broom-Chant-Table-Lamp-6.jpg\" alt=\"\" width=\"1128\" height=\"1400\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lee-Broom-Chant-Table-Lamp-6.jpg 1128w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lee-Broom-Chant-Table-Lamp-6-242x300.jpg 242w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lee-Broom-Chant-Table-Lamp-6-342x425.jpg 342w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/Lee-Broom-Chant-Table-Lamp-6-768x953.jpg 768w\" sizes=\"auto, (max-width: 1128px) 100vw, 1128px\" \/><\/p>\n<h6 data-start=\"5734\" data-end=\"5781\">Function and spectacle: the Broom formula<\/h6>\n<p data-start=\"5783\" data-end=\"5959\"><em>Lee Broom<\/em>\u2019s work has always moved along the boundary between design and art, utility and theatricality. How does he manage to maintain that balance? He sums it up succinctly: <em>&#8220;I start with a concept that feels emotional or theatrical, then refine it through craft and engineering so it works beautifully in everyday life. I know the balance is right when something is both functional and emotive&#8221;<\/em>.<\/p>\n<p data-start=\"6191\" data-end=\"6358\">This philosophy is evident in every piece of <em>&#8220;Trio of Design&#8221;<\/em>: luminaires that are sculptures, wallpapers that are stage sets, portable lamps that are atmospheres.<\/p>\n<p data-start=\"6191\" data-end=\"6358\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-92014 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/11_15_24_LeeBroomxCalico_3799-Em-McCann-Zauder.jpg\" alt=\"\" width=\"1200\" height=\"1500\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/11_15_24_LeeBroomxCalico_3799-Em-McCann-Zauder.jpg 1200w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/11_15_24_LeeBroomxCalico_3799-Em-McCann-Zauder-240x300.jpg 240w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/11_15_24_LeeBroomxCalico_3799-Em-McCann-Zauder-340x425.jpg 340w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2025\/09\/11_15_24_LeeBroomxCalico_3799-Em-McCann-Zauder-768x960.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/p>\n<h6 data-start=\"6365\" data-end=\"6405\">Special editions and anniversaries<\/h6>\n<p data-start=\"6407\" data-end=\"6773\">The festival also serves as a stage to celebrate important milestones in <em>Broom<\/em>\u2019s career. The iconic <em>Crescent <\/em>collection celebrates its 10th anniversary and is reinterpreted in a bold blackened brass edition. In addition, the <em>Orion<\/em> series introduces a brushed antique brass finish, while the <em>Hail<\/em> and <em>Vesper<\/em> collections launch in brushed bronze.<\/p>\n<p data-start=\"6775\" data-end=\"6950\">These limited editions reinforce the idea that <em>Broom<\/em>\u2019s work is never static: it evolves, transforms and dialogues with the present, while remaining timeless at its core.<\/p>\n<h6 data-start=\"6957\" data-end=\"6981\">Dates and location<\/h6>\n<p data-start=\"6983\" data-end=\"7219\">The complete installation of <em>&#8220;Trio of Design&#8221;<\/em> can be visited during the <em>London Design Festival 2025<\/em>, from 16\u201321 September, at the <em>Lee Broom flagship store<\/em>: 91, 93 and 95 Rivington Street, Shoreditch, London, EC2A 3AY.<\/p>\n<p data-start=\"7241\" data-end=\"7265\"><strong>(*)<\/strong> Photos: Lee Broom.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spread across the three storefronts that make up his flagship showroom on Rivington Street, this triptych installation not only celebrates formal and technical innovation, but also the power of storytelling. Each piece is a chapter in its own right, yet together they form a coherent conversation about transformation, materiality, and the capacity of design to [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":92000,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5957,5918,5917,5916,5915,5911,5900],"tags":[],"class_list":["post-92022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design-en","category-inspiration-en-2","category-interviews","category-inspiration-en","category-shops","category-hotspots-en","category-art-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Lee Broom and his Trio of Design at the London Design Festival<\/title>\n<meta name=\"description\" content=\"Lee Broom presents Trio of Design at the London Design 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