{"id":65788,"date":"2023-09-30T12:39:14","date_gmt":"2023-09-30T12:39:14","guid":{"rendered":"https:\/\/ccmagazine.es\/?p=65788"},"modified":"2024-12-26T08:25:49","modified_gmt":"2024-12-26T08:25:49","slug":"ink-the-new-and-unbeatable-show-by-the-great-dimitris-papaioannou","status":"publish","type":"post","link":"https:\/\/ccmagazine.es\/en\/ink-the-new-and-unbeatable-show-by-the-great-dimitris-papaioannou\/","title":{"rendered":"&#8220;INK&#8221;, the new and unbeatable show by the great Dimitris Papaioannou"},"content":{"rendered":"<h6 style=\"font-weight: 400;\">A unique opportunity to revive the show that was originally created in 2020<\/h6>\n<p style=\"font-weight: 400;\"><em>INK &#8211;<\/em>with its fluidity, viscosity and colour- along with water, are both present throughout the whole show which involves only two artists and an octopus\u2026One of these artists, in some of the shows is\u00a0<em>Dimitris<\/em> himself, who proves once more that, at almost sixty, he is in top shape. He shares the leading role with the Greek actor\u00a0<em>Haris Fragoulis<\/em>, in a cast of two performers, which always features the naked man,\u00a0<em>\u0160uka Horn<\/em>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-65388 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20200913_JCM_7193-scaled.jpg\" alt=\"\" width=\"2058\" height=\"2560\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20200913_JCM_7193-scaled.jpg 2058w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20200913_JCM_7193-241x300.jpg 241w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20200913_JCM_7193-342x425.jpg 342w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20200913_JCM_7193-768x955.jpg 768w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20200913_JCM_7193-1235x1536.jpg 1235w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20200913_JCM_7193-1646x2048.jpg 1646w\" sizes=\"auto, (max-width: 2058px) 100vw, 2058px\" \/><\/p>\n<p style=\"font-weight: 400;\">This piece was conceived in 2020, during the pandemic, and that\u2019s why it was created in a more reduced format that is detached from that of other shows developed by the Greek artist. However, the beauty it emanates is absolutely brutal, despite using a lot less elements in the production. In fact, this alleged \u201csimplicity\u201d turns out to be much more complex when addressing a show that is as hypnotic and full of symbols as this is, where materiality is alive and the dance between the two bodies invades everything.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-65386 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2298-scaled.jpg\" alt=\"\" width=\"1707\" height=\"2560\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2298-scaled.jpg 1707w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2298-200x300.jpg 200w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2298-283x425.jpg 283w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2298-768x1152.jpg 768w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2298-1024x1536.jpg 1024w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2298-1366x2048.jpg 1366w\" sizes=\"auto, (max-width: 1707px) 100vw, 1707px\" \/><\/p>\n<p style=\"font-weight: 400;\">The first version of\u00a0<em>INK<\/em>\u00a0was commissioned and coproduced by\u00a0<em>Torinodanza Festival \/ Teatro Stabile di Torino \u2013 Teatro Nazionale + Fondazione I Teatri \/ Festival Aperto \u2013 Reggio Emilia<\/em>.<\/p>\n<p style=\"font-weight: 400;\">Its final version and international tour are coproduced by the\u00a0<em>Biennale de la Danse<\/em>\u00a0of Lyon 2023,\u00a0<em>Sadler\u2019s Wells London<\/em>,\u00a0<em>MEGARON \u2013 THE ATHENS CONCERT HALL<\/em>\u00a0with the support of the\u00a0<em>Hellenic Ministry of Culture and Sports<\/em>.<\/p>\n<h6>Elegance, minimalism and skill<\/h6>\n<p style=\"font-weight: 400;\"><em>Papaioannou\u2019s universal consecration took place<\/em> in 2004, when he was in charge of the opening ceremony at the Olympic Games in Athens, and he has enjoyed tremendous success ever since.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-65390 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_1876-scaled.jpg\" alt=\"\" width=\"1561\" height=\"2560\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_1876-scaled.jpg 1561w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_1876-183x300.jpg 183w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_1876-259x425.jpg 259w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_1876-768x1259.jpg 768w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_1876-937x1536.jpg 937w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_1876-1249x2048.jpg 1249w\" sizes=\"auto, (max-width: 1561px) 100vw, 1561px\" \/><\/p>\n<p style=\"font-weight: 400;\">As we mentioned, sobriety is a synonym of abundance in <em>INK<\/em>. And with few resources like plastic and water, a basic and ancestral element, it manages to generate an atmosphere of great beauty starring two artists from different generations. They could be father and son, maturity and innocence, order and chaos\u2026 In <em>INK, <\/em>the edges are blurred, and the show doesn\u2019t aim to tell just one story but to invite the spectator to draw their own conclusions based on their emotions.<\/p>\n<h6>A fascinating, dense and subliminal show<\/h6>\n<p style=\"font-weight: 400;\"><em>INK<\/em>\u00a0is linked to a previous piece, <em>&#8220;Primal matter&#8221;<\/em>\u00a0(2012), which also starred a duo formed by a fully dressed mature man and a younger naked man.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-65394 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/7_Dimitris-Papaioannou-in-INK-2020_photo-\u00a9Julian-Mommert_20221004_JCM_2913-scaled.jpg\" alt=\"\" width=\"1707\" height=\"2560\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/7_Dimitris-Papaioannou-in-INK-2020_photo-\u00a9Julian-Mommert_20221004_JCM_2913-scaled.jpg 1707w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/7_Dimitris-Papaioannou-in-INK-2020_photo-\u00a9Julian-Mommert_20221004_JCM_2913-200x300.jpg 200w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/7_Dimitris-Papaioannou-in-INK-2020_photo-\u00a9Julian-Mommert_20221004_JCM_2913-283x425.jpg 283w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/7_Dimitris-Papaioannou-in-INK-2020_photo-\u00a9Julian-Mommert_20221004_JCM_2913-768x1152.jpg 768w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/7_Dimitris-Papaioannou-in-INK-2020_photo-\u00a9Julian-Mommert_20221004_JCM_2913-1024x1536.jpg 1024w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/7_Dimitris-Papaioannou-in-INK-2020_photo-\u00a9Julian-Mommert_20221004_JCM_2913-1365x2048.jpg 1365w\" sizes=\"auto, (max-width: 1707px) 100vw, 1707px\" \/><\/p>\n<p style=\"font-weight: 400;\">Two figures that seem to attract and repel each other in equal measure, beyond their will. Two beings that are chained to the deimatic behaviour of the octopus, that uses ink to camouflage itself and escape from its enemies\u2026 Two beings whose relationship of submission drives them to a dance of union and flight, of passion and revulsion\u2026 Possibly two sides of one same coin predestined to remain together\u2026<\/p>\n<p style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-65392 size-full\" src=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2120-scaled.jpg\" alt=\"\" width=\"1943\" height=\"2560\" srcset=\"https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2120-scaled.jpg 1943w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2120-228x300.jpg 228w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2120-323x425.jpg 323w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2120-768x1012.jpg 768w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2120-1166x1536.jpg 1166w, https:\/\/ccmagazine.es\/wp-content\/uploads\/2023\/09\/Dimitris-Papaioannou-Suka-Horn-in-INK-2020_Dimitris-Papaioannou_photo-\u00a9Julian-Mommert_20210403_JCM_2120-1554x2048.jpg 1554w\" sizes=\"auto, (max-width: 1943px) 100vw, 1943px\" \/><\/p>\n<p style=\"font-weight: 400;\">The stage design is made up of water and creased wet plastic curtains, where these two sculptural bodies create a unsettling and suggestive atmosphere. It makes you feel uneasy and attracted in equal measure, barely able to blink.<\/p>\n<p>The show is performed without music, although on occasions some fragments of music by the contemporary composer <em>Kornilios Selamsis<\/em> can be heard, the\u00a0final touch to this expressionist visual poem.<\/p>\n<p style=\"font-weight: 400;\">Ultimately,\u00a0<em>INK<\/em>\u00a0is an excellent unforgettable experience that we highly recommend.<\/p>\n<h6 data-gtm-element-container=\"modulo-texto-link\">Upcoming shows:<\/h6>\n<p data-gtm-element-container=\"modulo-texto-link\">France (Lyon): <a href=\"https:\/\/www.labiennaledelyon.com\/en\/biennale\/biennale-de-la-danse-2023\/spectacle\/dimitris-papaioannou-ink\" target=\"_blank\" rel=\"noopener\">Biennale de Lyon &#8211; Danse \u2013 Maison de la Danse <\/a>\/\u00a0 23 \u2013 26 September 2023<br \/>\nTaiwan (Taipei):\u00a0<a href=\"https:\/\/npac-ntch.org\/programs\/series\/ArtquakeInAutumn\/D135A5BBC5F9404198815B9CCF50BA9E\/programs\/19018-%E8%BF%AA%E7%B1%B3%E7%89%B9%E9%87%8C%EF%BC%8E%E5%B8%95%E6%B4%BE%E7%B4%84%E5%AE%89%E5%8A%AA%E3%80%8AINK%E3%80%8B\" target=\"_blank\" rel=\"noopener\">ARTQUAKE\u00a0in Autumn \u2013\u00a0National Performing Arts Center &#8211; National Theater &amp; Concert Hall\u00a0<\/a>\/ 5 \u2013 7 October 2023<br \/>\nBelgium (Amberes): <a href=\"https:\/\/desingel.be\/en\/programme\/theatre\/dimitris-papaioannou-ink\" target=\"_blank\" rel=\"noopener\">DE SINGEL <\/a>\/ 12 \u2013 14 October 2023<br \/>\nGermany (Berlin): <a href=\"https:\/\/www.berlinerfestspiele.de\/performing-arts-season\/programm\/2023\/kalender\/ink\" target=\"_blank\" rel=\"noopener\">Haus der Berliner Festspiele<\/a> \/ 19 \u2013 21 October 2023<em><br \/>\n<\/em>Hong Kong: <a href=\"https:\/\/www.nvaf.gov.hk\/programmes\/48\/\" target=\"_blank\" rel=\"noopener\">NVAF \u2013 New Vision Arts Festival <\/a>\u2013\u00a0<a href=\"https:\/\/www.nvaf.gov.hk\/programmes\/48\/\" target=\"_blank\" rel=\"noopener\">Grand Theatre, HK Cultural Centre<\/a>, 9 \u2013 11 November 2023<br \/>\nSpain (Seville):\u00a0<a href=\"https:\/\/www.juntadeandalucia.es\/cultura\/teatros\/teatro-central\/ink\" target=\"_blank\" rel=\"noopener\">Teatro Central <\/a>\/ 17 + 18 November 2023<br \/>\nSpain (Madrid): <a href=\"https:\/\/www.madrid.org\/fo\/2023\/ink.html\" target=\"_blank\" rel=\"noopener\">41\u00ba Festival de Oto\u00f1o<\/a> \u2013\u00a0<a href=\"https:\/\/www.teatroscanal.com\/espectaculo\/dimitrispapaioannoufo23\/\" target=\"_blank\" rel=\"noopener\">Teatros del Canal, Sala Roja<\/a> \/\u00a023 \u2013 25 November 2023<br \/>\nPortugal (Porto): <a href=\"https:\/\/www.teatromunicipaldoporto.pt\/pt\/programa\/dimitris-papaioannou-ink\/\">Teatro Municipal do Porto \u2013 Teatro Rivoli<\/a>\u00a0\/ 30 Nov \u2013 2 December 2023<\/p>\n<p data-gtm-element-container=\"modulo-texto-link\"><strong>(*)<\/strong> Fotos: Julian Mommert.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A unique opportunity to revive the show that was originally created in 2020 INK &#8211;with its fluidity, viscosity and colour- along with water, are both present throughout the whole show which involves only two artists and an octopus\u2026One of these artists, in some of the shows is\u00a0Dimitris himself, who proves once more that, at almost [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":65338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5901,5900],"tags":[],"class_list":["post-65788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-art-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - 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